Acoustic interculturalism
Acoustic interculturalism listening to performance Marcus Cheng Chye Tan - Houndmills, Basingstoke, Hampshire New York Palgrave Macmillan 2012 - xii, 259 p. il. 23 cm.
Incluye referencias bibliográficas (p. 229-244) e índice
Introduction: the intercultural topography and an acoustic interculturalism. -- The performativity of sound and the soundscapes of culture. -- Acoustic mimesis: ethical cadence and sonic violence in Tambours Sur La Digue. -- (Echo)locating other-Shakespeares: an aesthetics of pop & the ear of the other. -- Listening in/to Asia: Ong Keng Sen's Desdemona and the polyphonies of Asia. -- "If music be the food of love": "fourth world" universals in Ong Keng Sen's Awaking. -- Conclusion: after authenticity: naming the intercultural
9780230354166
2012011344
Comunicación intercultural en las artes escénicas
Sonidos--Aspectos antropológicos
Música en el teatro
Música--Aspectos sociales
Artes escénicas--Asia
PN2039
792.01 / T161a