Present past urban palimpsests and the politics of memory Andreas Huyssen

Por: Huyssen, Andreas, 1942-Tipo de material: TextoTextoIdioma: Inglés Series Cultural memory in the presentEditor: Stanford, California Stanford University Press 2003Descripción: 177 páginas ilustraciones 23 cmISBN: 9780804745611Tema(s): Memoria colectiva | Memoria en la literatura | Filosofía de la historiaClasificación CDD: 901
Contenidos:
Present pasts: media, politics, Amnesia. -- Monumental Seduction: Christo in Berlin the Voids of Berlin. -- After the War: Berlin as Palimpsest. -- Fear of Mice: The Times Square Redevelopment. -- Memory Sites in an Expanded Field: the Memory park in Buenos Aires. -- Doris Salcedo's Memory Sculpture: Unland: the Orphan's Tunic. -- Of Mice and Mimesis: Reading Spiegelman with Adorno. -- Rewritings and New Beginnings: W. G. Sebald and the Literature on the Air War. -- Twin Memories: Afterimages of Nine/Eleven.
Resumen: Memory of historical trauma has a unique power to generate works of art and the imagination as much as it has a tendency to vanish in the abyss of amnesia and willful forgetting. This book deals with the ways in which architects, writers, and artists have worked at the cutting edge of memory politics in the late twen- tieth century. It analyzes the relation of public memory to history, to forgetting, and to selective memory in three cities-Berlin, Buenos Aires, and New York-that have had to cope with major social or political traumas. [tomado de la contraportada]
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Present pasts: media, politics, Amnesia. -- Monumental Seduction: Christo in Berlin the Voids of Berlin. -- After the War: Berlin as Palimpsest. -- Fear of Mice: The Times Square Redevelopment. -- Memory Sites in an Expanded Field: the Memory park in Buenos Aires. -- Doris Salcedo's Memory Sculpture: Unland: the Orphan's Tunic. -- Of Mice and Mimesis: Reading Spiegelman with Adorno. -- Rewritings and New Beginnings: W. G. Sebald and the Literature on the Air War. -- Twin Memories: Afterimages of Nine/Eleven.

Memory of historical trauma has a unique power to generate works of art and the imagination as much as it has a tendency to vanish in the abyss of amnesia and willful forgetting. This book deals with the ways in which architects, writers, and artists have worked at the cutting edge of memory politics in the late twen- tieth century. It analyzes the relation of public memory to history, to forgetting, and to selective memory in three cities-Berlin, Buenos Aires, and New York-that have had to cope with major social or political traumas. [tomado de la contraportada]

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