000			01581nam a2200337 a 4500
003			CO-BoICC
005			20140205154656.0
007			ta
008			131207s2012 enka r 001 0 eng d
010			_a2012011344
020			_a9780230354166
040			_aCO-BoICC _bspa
043			_aa------
050	0	0	_aPN2039
082	0	4	_a792.01 _bT161a _221
100	1		_aTan, Marcus Cheng Chye
245	1	0	_aAcoustic interculturalism _blistening to performance _cMarcus Cheng Chye Tan
260			_aHoundmills, Basingstoke, Hampshire _aNew York _bPalgrave Macmillan _c2012
300			_axii, 259 p. _bil. _c23 cm.
504			_aIncluye referencias bibliográficas (p. 229-244) e índice
505	0		_aIntroduction: the intercultural topography and an acoustic interculturalism. -- The performativity of sound and the soundscapes of culture. -- Acoustic mimesis: ethical cadence and sonic violence in Tambours Sur La Digue. -- (Echo)locating other-Shakespeares: an aesthetics of pop & the ear of the other. -- Listening in/to Asia: Ong Keng Sen's Desdemona and the polyphonies of Asia. -- "If music be the food of love": "fourth world" universals in Ong Keng Sen's Awaking. -- Conclusion: after authenticity: naming the intercultural
591			_anewadq01
591			_anewadq20
650	1	4	_aComunicación intercultural en las artes escénicas _2LEMB
650	2	4	_aSonidos _xAspectos antropológicos _2LEMB
650	2	4	_aMúsica en el teatro _2LEMB
650	2	4	_aMúsica _xAspectos sociales _2LEMB
650	2	4	_aArtes escénicas _zAsia _2LEMB
901			_bGECR
942			_cBK
999			_c107677 _d107677