| 000 | 01694nam a22002777a 4500 | ||
|---|---|---|---|
| 003 | CO-BoICC | ||
| 005 | 20220307213658.0 | ||
| 007 | ta | ||
| 008 | 220308s2018 txua gr || 001 0 eng d | ||
| 020 | _a0292728050 | ||
| 040 |
_aCO-BoICC _bspa |
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| 041 | 0 | _aeng | |
| 082 | 0 | 4 |
_a704.036872073 _bG249 _222 |
| 100 | 1 |
_95147 _aGaspar de Alba, Alicia _d1958- |
|
| 245 | 1 | 0 |
_aChicano art inside/outside the master's house _bcultural politics and the CARA exhibition _cAlicia Gaspar de Alba |
| 260 |
_aAustin, Texas _bUniversity of Texas Press _c1998 |
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| 300 |
_axxi, 308 páginas _bilustraciones, algunas a color _c24 cm |
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| 504 | _aIncluye referencias bibliográficas (páginas 279-296) e índice | ||
| 505 | 0 | _aList of Figures List of Tables Pre-Face/Pre-CARA Acknowledgments A Theoretical Introduction: Alter-Native Ethnography, a lo rasquache Part One. Open House The Solar of Chicano/a Popular Culture: Mi casa [no] es su casa Color Gallery Part Two. Cara's Politics of Representation Through Serpent and Eagle Eyes: Intercultural Collaboration Out of the House, the Halo, and the Whore's Mask: The Mirror of Malinchismo Part Three. Public Reception "Between the Ghetto and the Melting Pot": Popular Hegemony Conclusion: The Mutation of Multiculturalism Appendix A: Selected Viewer Comments Appendix B: The Organizational Structure of the CARA Exhibition Notes Bibliography Index | |
| 591 | _anewadq01 | ||
| 650 | 1 | 7 |
_2ARMARC _aArte mexicano-americano _95148 |
| 650 | 2 | 7 |
_2ARMARC _aArte mexicano-americano _xOpinión pública _95148 |
| 650 | 2 | 7 |
_2ARMARC _aPolítica en el arte _95149 |
| 942 | _cBK | ||
| 999 |
_c113854 _d113854 |
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