000			01987nam a22002897a 4500
003			CO-BoICC
005			20230130120144.0
008			220716e2003 us || |fr| 000 0 engeng
020			_a9780804745611
040			_beng _aCO-BoICC
041	0		_aeng
082	0	4	_222 _a901 _bH988
100	1		_aHuyssen, Andreas _d1942- _95998
245	0	0	_aPresent past _burban palimpsests and the politics of memory _cAndreas Huyssen
260			_aStanford, California _bStanford University Press _c2003
300			_a177 páginas _bilustraciones _c23 cm
490	0		_aCultural memory in the present
505	0		_aPresent pasts: media, politics, Amnesia. -- Monumental Seduction: Christo in Berlin the Voids of Berlin. -- After the War: Berlin as Palimpsest. -- Fear of Mice: The Times Square Redevelopment. -- Memory Sites in an Expanded Field: the Memory park in Buenos Aires. -- Doris Salcedo's Memory Sculpture: Unland: the Orphan's Tunic. -- Of Mice and Mimesis: Reading Spiegelman with Adorno. -- Rewritings and New Beginnings: W. G. Sebald and the Literature on the Air War. -- Twin Memories: Afterimages of Nine/Eleven.
520			_aMemory of historical trauma has a unique power to generate works of art and the imagination as much as it has a tendency to vanish in the abyss of amnesia and willful forgetting. This book deals with the ways in which architects, writers, and artists have worked at the cutting edge of memory politics in the late twen- tieth century. It analyzes the relation of public memory to history, to forgetting, and to selective memory in three cities-Berlin, Buenos Aires, and New York-that have had to cope with major social or political traumas. [tomado de la contraportada]
541			_aIMPOSOLUCIONES _cCompra _d21/07/2022 _hFactura - 746
591			_anewadq11
591			_anewadq20
650	1	7	_2ARMARC _95195 _aMemoria colectiva
650	1	7	_2ARMARC _98331 _aMemoria en la literatura
650	1	7	_2ARMARC _96259 _aFilosofía de la historia
942			_cBK
999			_c114057 _d114057