000			01917cam a2200265 i 4500
003			CO-BoICC
005			20240110151502.0
008			171128s2018 nyua 000 1 eng
020			_a9780811227865
040			_aCO-BoICC _bspa
041	1		_aeng
082	0	4	_223 _a813.54 _bD733
100	1		_aDouglas, Marcia _d1961- _911372
245	1	4	_aThe marvellous equations of the dread _ba novel in bass riddim _cMarcia Douglas
260			_aNueva York, Estados Unidos _bNew Directions Publishing _c2018
300			_a291 páginas _bilustraciones _c21 cm
490	0		_aA New Directions Paperbook _v1412
505			_aRe-mix: Xaymaca, 1494. -- Version. -- Curfew. -- The marvellous equations of the dread. -- Kingston ringtune. -- House of Zion. -- And with fullticipation, they said. -- Nyahbinghi. -- Backstage pass (Appendix 1). -- Studio Pass (Appendix 2). -- Giving thanks
520			_a“Is me―Bob. Bob Marley.” Reincarnated as homeless Fall-down man, Bob Marley sleeps in a clock tower built on the site of a lynching in Half Way Tree, Kingston. The ghosts of Marcus Garvey and King Edward VII are there too, drinking whiskey and playing solitaire. No one sees that Fall-down is Bob Marley, no one but his long-ago love, the deaf woman, Leenah, and, in the way of this otherworldly book, when Bob steps into the street each day, five years have passed. Jah ways are mysterious ways, from Kingston’s ghettoes to London, from Haile Selaisse’s Ethiopian palace and back to Jamaica, Marcia Douglas’s mythical reworking of three hundred years of violence is a ticket to the deep world of Rasta history. This amazing novel―in bass riddim―carries the reader on a voyage all the way to the gates of Zion.
541			_aGuillermo Molina _cDonación _d6/12/2023
591			_anewadq14
650	1	4	_94223 _aLiteratura estadounidense
650	1	4	_94226 _aNovela estadounidense _vCiencia ficción
942			_cBK
999			_c116226 _d116226