Acoustic interculturalism listening to performance Marcus Cheng Chye Tan
Tipo de material:
TextoDetalles de publicación: Houndmills, Basingstoke, Hampshire New York Palgrave Macmillan 2012Descripción: xii, 259 p. il. 23 cmISBN: - 9780230354166
- 792.01 T161a 21
- PN2039
Contenidos:
Introduction: the intercultural topography and an acoustic interculturalism. -- The performativity of sound and the soundscapes of culture. -- Acoustic mimesis: ethical cadence and sonic violence in Tambours Sur La Digue. -- (Echo)locating other-Shakespeares: an aesthetics of pop & the ear of the other. -- Listening in/to Asia: Ong Keng Sen's Desdemona and the polyphonies of Asia. -- "If music be the food of love": "fourth world" universals in Ong Keng Sen's Awaking. -- Conclusion: after authenticity: naming the intercultural
| Tipo de ítem | Biblioteca actual | Colección | Signatura topográfica | Info Vol | Copia número | Estado | Notas | Fecha de vencimiento | Código de barras | |
|---|---|---|---|---|---|---|---|---|---|---|
| Libros | Sede Yerbabuena | Colección General | 792.01 T161a | 2012 | ej. 1 | Disponible | tmt14 | 116407 |
Incluye referencias bibliográficas (p. 229-244) e índice
Introduction: the intercultural topography and an acoustic interculturalism. -- The performativity of sound and the soundscapes of culture. -- Acoustic mimesis: ethical cadence and sonic violence in Tambours Sur La Digue. -- (Echo)locating other-Shakespeares: an aesthetics of pop & the ear of the other. -- Listening in/to Asia: Ong Keng Sen's Desdemona and the polyphonies of Asia. -- "If music be the food of love": "fourth world" universals in Ong Keng Sen's Awaking. -- Conclusion: after authenticity: naming the intercultural
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